Following Orlando in 2016 and Ariodante last May, The English Concert, directed from the harpsichord by Harry Bicket, brought Rinaldo of 1711 to the Barbican for the final instalment in its series of ...
NEW YORK — It’s no secret that classical music institutions are struggling to attract new audiences. This challenge is often on my mind, but I had something of an epiphany about it on Sunday afternoon ...
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